poems as hand- and foot-holds on a glass mountain

The Other Journey

      (after Tomas Transtromer)

The other journey, the one we’re always on

but don’t know of except now and then

in pauses, where nothing is happening

when we’re doing nothing.  Not chores, not planning,

not even rumination.  Basho says our home

is the journey, meaning this other one

conjoined with our ordinary travels whose footprints

we leave behind as memory-fragments of ourselves

unlike the other journey on which the day

is strangely paused, as if Joshua

had asked God to stop the sun for us.

Riding an elevator unmoved between floors,

paired to media devices’ incessant barrage of voices,

so we can hear from each only a few words

with their timbre, drive.  One at a time, we’d ask,

but they don’t want to hear, only to be heard.  

Our hearing maxed out into silence,

we revert or convert to what doesn’t seek us,

what we find ourselves in seeking.  Wind in the trees

has no voice so can be heard.  Waves just beyond

the edges of a beach, the stately cadences of Mozart,

winter birdcall, the rustle of leaves in a slight breeze

seen unheard through a closed window.  We settle

‘as empty-handed as a shirt on a clothesline.’*

      *(from ‘Madrigal’ by Transtromer)


2 Responses to “The Other Journey”

  1. Craig Brandis (aka Burl Whitman)'s avatar Craig Brandis (aka Burl Whitman)

    You can’t go wrong standing on the shoulders of Transtromer. II like the cadence, the “day strangely paused, as if Joshua had asked God to stop the sun for us” and the litany of nature voices. Unassuming and reverent.

    Reply
    • place9011's avatar place9011

      Thanks, Craig. If it weren’t for the influence of Transtromer, Stevens and a few or others I might not be writing poems at all. Or they’d be very different.

      Reply

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